![]() ![]() If you do have to do a relink, it's best to make sure that the new color corrected media is in a separate folder or location in case you need to isolate it from the original DNxHD media that was used in the offline edit.Alistair Rankine takes an in-depth look at DaVinci Resolve 10 to find out how the software has evolved into an affordable editing and finishing tool It has been just over three years since I last reviewed DaVinci Resolve. The AAF from Resolve will link to the media that Resolve creates, just make sure you let Avid index that media before importing the AAF from Resolve. Since you're using MC 8.4 you can use DNxHR media for both 4K and HD exports from Media Composer. You can export both DNxHD and DNxHR if you wish. Resolve will export whatever format media from the color correction session. ![]() For example, if you've got a spanned clip and you don't tell Resolve to ignore that last digit in the name, things may not work as planned.ģ. If the field is populated in the Avid, you might need to fiddle with the Configuration settings in Resolve regarding how a reel or clip name is parsed. Relinking usually fails due to the source or reel or whatever designates the original clip name missing. ![]() Check the "Link to source camera files" option when importing.Ģ. Resolve can use the source name (or reel assignment) to relink to the original RED media when the AAF is imported. You don't need to relink back to the AMA RED sources before doing the AAF in Media Composer. Thereby saving us a whole extra color correction session.Ī couple of things that might be helpful.ġ. Is there a way to link the same finished 4K color correction timeline to our HD material? In other words, I was hoping that once the 4K color correction was finished, we may be able to dismount the 4K drives, mount the HD (transcoded) drives and point to that footage and have it come online in Resolve. So our 4K RED material would be rendered, therefore not useful as HD for our final pass. ![]() However, from what I understand, when rendering in Resolve, it will actually create new media. AAF file back to Avid for a quick legalization pass on the HD transcoded footage. We were hoping to do one color correction session in Resolve, so the plan was to color correct in 4K, render, and round-trip a. Is there a way to force a link from an unlinked clip my Resolve Edit timeline to a particular clip in the Resolve media pool?Īlso, we are delivering a 4K master but also must deliver an HD master. AAF? Even if I manually point to specific folders for Resolve, it still will not see the AMA stuff.Īny help would be greatly appreciated! Hopefully, there are some editors out there with 4K color correction experience? (Our final deliverable needs to be in 4K, hence, the need for DaVinci Resolve).Īlthough, I am seeing quite a few clips that did not relink (I read this is a problem many times with AMA linked footage). Could effects of any kind on my Avid sequence prevent Resolve from seeing the AMA linked footage in the. AAF, Resolve is not finding the original linked RED footage. AAF file for Resolve, as normal.īut I am having trouble importing the footage into Resolve's Media Pool from the. Our show was shot on a RED Dragon camera and I have taken these steps:ġ.) AMA linked all RED footage in Avid Media Composer 8.4.Ģ.) Transcoded the AMA linked footage to DNXHD 220 for edit.ģ.) Locked the edit with the transcoded MXF footage.Ĥ.) Relinked our locked sequence to the AMA RED camera footage.ĥ.) Exported an. Specifically, I am having trouble importing Avid AMA linked media into Resolve 11 Lite for a color correctionist. I am new to DaVinci Resolve, but still believe I am doing everythig correctly. ![]()
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